Plugin Alliance announces promotion partnership with ROLI

“ROLI is a true innovator in our industry, so we were really excited to partner them up with arguably our most innovative Alliance member, Unfiltered Audio.” - Plugin Alliance CEO Matt Ward, 2017

Plugin Alliance, a new ‘Über-standard’ supporting all major plugin formats and uniting some of the best-known international audio companies under one virtual roof, is proud to announce a promotion partnership with London-headquartered digital age music-making device creator ROLI — resting on Plugin Alliance partner Unfiltered Audio being the first plugin developer to fully embrace ROLI’s revolutionary Lightpad Block control surface with its recently released Instant Delay echo effects plugin powerhouse.

In a six-month promotion running from May 25 to November 25, Instant Delay (MSRP $49.00 USD) is free for ROLI BLOCKS product purchasers who will, upon registration, be issued with a voucher code for redemption at www.plugin-alliance.com. Plugin Alliance will also provide an upgrade path to all Instant Delay license holders to the latest (v1.1) update of Sandman Pro (MSRP $99.00 USD) — Plugin Alliance partner Unfiltered Audio’s undisputed ultimate delay, doubling as a transmogrifying time machine making serious sonic travelling more musically adventurous than ever, thanks to major performance improvements and some serious upgrades to an already killer feature set — for $29.00 USD during this creative promotion partnership.

As a driving force behind the partnership, Plugin Alliance CEO Matt Ward sees the cutting-edge companies concerned as a match made in heaven, revealing, “ROLI is a true innovator in our industry, so we were really excited to be able to partner them up with arguably our most innovative Alliance member, Unfiltered Audio. Neither company is satisfied with redoing what’s already been done; rather, they strive for new ways to create music and sounds. We can’t wait to see what the world’s creative community will come up with by combining BLOCKS and Instant Delay.”

Sentiments that are surely shared by ROLI Senior Director of Developer Products and Partnerships Jean-Baptiste Thiebaut: “We are delighted to partner with Plugin Alliance and Unfiltered Audio on the release of the new Instant Delay and updated Sandman Pro. Their integration with BLOCKS shows both the cutting-edge quality of their plugin designs as well as the exciting potential of BLOCKS as an open platform for app development.” 

Watch the promotional trailer for Unfiltered Audio’s BLOCKS integration

For his company’s not inconsiderable part in the proceedings, Unfiltered Audio’s Dr. Michael Hetrick clearly concurs: “When ROLI announced the Lightpad Block, we were blown away. The combination of portability and flexibility excited us so much that we reached out to ROLI with our design ideas. We think our performance-based modulation system demonstrates a future of plugins as real-time instruments — not just point-and-click studio tools. We cannot wait to hear what our users make with this creative combo!”

Instant Delay is free for ROLI BLOCKS users during the first six months after its May 25 release, during which time Plugin Alliance will also provide an upgrade path for all Instant Delay license holders to Sandman Pro for $29.00 USD.
 
About Plugin Alliance (www.plugin-alliance.com)
Based in Wilmington, DE, USA, with offices in Santa Cruz, CA, USA, Plugin Alliance is more than just a website; it is a new ‘Über-standard’, supporting all major plugin formats and uniting some of the best-known international audio companies under one virtual roof. It empowers world-renowned analogue hardware companies with a digital strategy and provides software developers with services that allow them to develop products with increasing quality and quantity. It does this by providing world-class marketing and distribution, as well as platform features like a state-of-the-art authorization system. The Alliance is more than just a group of partner companies; it is a rapidly growing community of artists, engineers, producers, and industry luminaries who have joined to share what they have learned.
About ROLI (www.roli.com)
ROLI’s revolutionary music-making devices are the future of music creation. BLOCKS is a modular system that lets anyone learn and play on powerful devices that connect together. The award-winning Seaboard instruments are an evolution of the piano keyboard that helps musicians — including renowned artists like Stevie Wonder and Meghan Trainor — be more expressive. Professionals and people who have never played an instrument before are touching new ways through ROLI’s ecosystem of Connected Music products.
About Unfiltered Audio (www.unfilteredaudio.com)
Unfiltered Audio is a music software company hailing from Southern California. It was founded upon one simple idea: music software should be created by musicians. Company co-founders (and musicians) Joshua Dickinson, Dr. Michael Hetrick, and Dr. Ryan Michael McGee trained under some of the greatest minds in DSP and music technology while receiving guidance in developing their own cutting-edge algorithms. After releasing their first two plugins, Sandman and G8, they have received awards from many sources, including the Audio Engineering Society and Computer Music Magazine.
 © 2017 Plugin Alliance LLC

Antelope Audio authentically compresses to impress with welcome additions to vintage hardware-based effects library

High-end professional audio equipment manufacturer Antelope Audio is proud to announce the addition of six new vintage compressors (VCA160, TUBE176, X903, Gyraf GYRATEC X, STAY-LEVIN, and ALT-436C) to its growing library of FPGA (Field Programmable Gate Array) vintage hardware-based effects — enabling owners of its Thunderbolt™ and HDX audio interfaces to access unique hardware models of some of the most desirable vintage effects with real-time performance without relying on DSP or native processing.

“Our real-time FPGA modelling capability is unique in the market and represents an exponential value add for our customers,” comments Antelope Audio CEO Igor Levin. “With the launch of our six new vintage compressors we are extending Antelope’s value proposition even further, giving our customers access to authentic digital emulations of vintage hardware that would otherwise be inaccessible. This puts an entirely new sonic palette at the user’s fingertips, with all the analogue richness and real-time response of the original hardware.”

 Watch Antelope Audio’s new vintage FPGA compressors video

Of those six new vintage compressors, VCA160, TUBE176, X903, and Gyraf GYRATEC X are already available for Antelope Audio’s Orion Studio, Orion Studio Rev. 2017, Zen Tour, Orion32 HD, Goliath HD, and Orion Studio HD audio interfaces (with Goliath, Orion32+, and Zen Studio+ coming soon); STAY-LEVIN, and ALT-436C are already available for Orion Studio, Orion Studio Rev. 2017, Zen Tour, Goliath HD, and Orion Studio HD (with Goliath, Orion32+, Orion32 HD, and Zen Studio+ coming soon). All are different and desirable — just like the vintage effects units upon which they are uniquely modelled.

Combining classic analogue sound with practical visual feedback and ease of use, Antelope Audio’s VCA160 is inspired by a legendary line of VCA compressors and limiters. As a powerful dynamics processor suited to both ‘brick wall’ and also subtle peak taming, it has been carefully modelled to preserve the desirable and disparate characteristics of hard-knee and gentle low-ratio compression alike. Fast and firm, it works well with controlling vocals, bass guitar, or individual drums. When working with transient-heavy material, such as kick drums or bass, its rapid response time can create a classic thwack-type sound that is instantly recognisable from its punchy pedigree.

TUBE176 is modelled on one of the best compressors ever produced as far as many industry insiders are concerned. The original hardware unit owes its unique sound to a long-since-out-of-production variable-mu dual triode tube, but now the powerful and fast compression characteristics of this classic studio dynamics processor have been brought back to life in the FPGA realm by Antelope Audio and can be applied to anything — vocals, guitar solos, bass lines, drums, and even full mixes. Thanks to its straightforward INPUT and OUPUT gain control-led interface, TUBE176 makes light work of dialling in smooth sounds or, conversely, completely flattening them to suit music material in any style. So whether boosting vocals to cut through a busy mix or allowing drum transients to shine throughout, TUBE176 takes it to the limit — albeit always with welcome vintage vibe and colourful character.

X903 is based on a cult compressor famed for its unique compression characteristics. Complete with smart RMS detection and straightforward controls, compression that is intuitive and musical rests easy with X903. Hard-hitting compression tames peaks, bathing anything in analogue warmth, while the X903’s negative ratio settings allow for dynamic inversions, pulling back the transient peaks for a unique-sounding tugging type of special effect. Equally at home with making more natural-sounding compression, X903 can capably mangle dynamics to create cutting-edge sounds.

Compression continues apace as Antelope Audio is the first company to model Danish developer Gyraf Audio’s hand-built hardware with Gyraf GYRATEC X.  Speed is a determining factor in the original unit’s appeal, as is its highly-musical Vari-Mu compression technology — itself inspired by early limiter designs. All are authentically brought to life in digital real-time, thanks to Antelope Audio’s custom FPGA. Fantastically versatile, Gyraf GYRATEC X performs well on mixes across a wide range of genres; more moderate compression settings are subtle enough to process jazz and acoustic guitars, while dialling up the compression conjures up the Gyratec X’s signature mojo, injecting incredible life and a sense of urgency into loud rock or electronic music by imbuing it with analogue thickness and character. Compression that preserves low-end integrity is perfectly possible, thanks to smooth high-pass filtering — perfect for using alongside other compressor types and Antelope Audio’s growing library of vintage hardware-based effects.

STAY-LEVIN looks as epic as its sounds, capturing the spirit of its historic hardware namesake that shaped the special sound of a slew of Sixties Stateside classics. Character and colouration abound as STAY-LEVIN lends a desirable analogue edge to contemporary productions. Production perfection can come quickly, too, thanks to a simplistic set of controls — large level (INPUT and OUPUT) knobs, a three-way RECOVERY TIME knob, and two self-explanatory switches — yield surprisingly varying compression styles suited to enhancing vocals, acoustic guitars, and synth leads, while drums and bass benefit from treatment to sound both bigger and more aggressive… all courtesy of vintage compression at its finest, recreated in the FPGA domain for real-time effects perfection.

Last but not least, ALT-436C is a single-channel, variable-mu tube compressor with fixed attack attributes. Modelled after the third revision of an iconic compressor series, starting a life less complicated in the late-Fifties before being heavily modded by sound engineers, ALT-436C includes the RELEASE TIME and THRESHOLD controls that endeared it to producers in the Beatles era — extremely useful when working with bass guitars, vocals, and string instruments — as an initially inexpensive (but increasingly sought-after) unit that played its part in making music sound not so cold and sterile back in the day. Today, users of Antelope Audio’s best-in-class audio interfaces of course can explore those sounds for themselves while more modern synth sounds can be treated equally well with ALT-436C.

Compress to impress with these six new vintage compressors for Antelope Audio’s best-in-class audio interfaces, including powerful processing that can now support up to 32 instances of vintage compressors and 40 EQs, ever widening the scope of creativity available to their many users. Ultimately, the company is also proud to extend its EQ reach with the eagerly-awaited VEQ-55b. Based on its beloved hardware brethren, famed for production popularity throughout the trailblazing Sixties and Seventies, VEQ-55b features four disparate bands with bell curve or shelving switching and up to 12dB of cut or boost with proportional Q ranging between gently sloping at more subtle levels and a more aggressive shape at higher levels. Like all Antelope Audio’s free FPGA models, the tonal characteristics of the vintage circuitry are authentically recreated… mix and match for a self-contained compression- and EQ-enhanced mixing solution like no other!

For more information about Antelope Audio’s FPGA effects, including a full library list, please visit the dedicated webpage here: http://antelopeaudio.com/hardware-based-fpga-effects/

About Antelope Audio (www.antelopeaudio.com)
Antelope Audio is a leading manufacturer of high-end professional audio equipment, pioneering the adoption of atomic clock generators in audio master clocks through utilising CEO Igor Levin’s 25-plus years of experience in digital audio. Antelope was the first company to design a 1U 32-channel audio interface and a multi-channel portable interface with 12 mic pres. The company’s customers include many GRAMMY® award-winning sound engineers and some of the most renowned recording, mastering, and post-production facilities around the globe.
© 2017 Antelope Audio

Unfiltered Audio ups ultimate delay ante with latest Sandman Pro plugin update to die for

“I’ve been using Unfiltered Audio’s Sandman Pro a lot during the latest Sherlock season — one of the most unusual-sounding modulation delays I’ve heard. It’s very cleverly programmed to not sound digital, and its flexibility means that I can do quite a lot of sound design with it, as well as using it for standard mod/delay work.”
- David Arnold, composer (Casino Royale, Independence Day, Sherlock), 2017

Plugin Alliance, a new ‘Über-standard’ supporting all major plugin formats and uniting some of the best-known international audio companies under one virtual roof, is proud to announce availability of the latest (v1.1) update of Sandman Pro — Plugin Alliance partner Unfiltered Audio’s undisputed ultimate delay, doubling as a transmogrifying time machine making serious sonic travelling more musically adventurous than ever, thanks to major performance improvements and some serious upgrades to an already killer feature set.

Billed by its collective creators as The Delay of Your Dreams, mix engineers, sound designers, and DJs alike were wowed by the slice and dice brilliance of Unfiltered Audio’s original Sandman soon after it was unleashed upon an unsuspecting world as a world-beater. But Sandman is a delay plugin with a severe narcoleptic bent, using its SLEEP mode to freeze its delay buffer to create stunning loops and grains that can be re-pitched, down-sampled, played in reverse, dirtied with noise, and modulated — mutating and transforming sounds beyond all recognition! Really short delay times alternatively allow the shape-shifting Sandman to become a flanger, percussion resonator, stutter generator, or wavetable synthesizer. Sandman also excels at producing traditional echo and stereo ping-pong effects, enabling delay times to range from standard slapback to longer than a coffee break… and all without breaking into a programming sweat!

Saying that, those mad scientists at Unfiltered Audio are always far from resting on their talented laurels. Buoyed by Sandman’s success, Sandman Pro pushed its little brother’s versatility up several notches. Needless to say, Sandman Pro proactively set a benchmark for developing delay plugins, paving the way for elaborate effects like stereo pitch shifting, reverse echoes, and frozen delays, but peel back a layer and Unfiltered Audio’s mind-bending modulation system is revealed in all its patchable glory, guaranteeing a near-infinite world of aural possibilities to die for.

Furthermore, the latest (v1.1) update of Sandman Pro continues to break new ground, modulation-wise. With the addition of a new mode for seamless integration with ROLI’s revolutionary Lightpad Block control surface, Sandman Pro users can now take advantage of the trailblazing hardware’s uniquely smooth, glowing, pressure-responsive design for an unprecedented level of realtime control over multiple parameters with the greatest of ease. Elsewhere, they can create sequences to modulate parameters or even other LFOs — themselves now resettable via a trigger input — with the new Step Sequencer modulator, making use of an expanded choice of interface scaling options while doing so. Ultimately, Unfiltered Audio’s flagship modulation system now boasts eight freely-assignable and fully-automatable modulators with intuitive drag-and-drop patching to each and every one of Sandman Pro’s creativity-inducing controls. An ability to minimize modulators by clicking on their icons is another addition which will be welcomed, workflow-wise, by seasoned owners already hooked on this truly transmogrifying time machine.

 Watch Plugin Alliance EU Product Manager Mo Volans’ video walkthrough of Sandman Pro

Musically more adventurous then ever, then, Sandman Pro comes complete with seven delay modes — Classic Tape, Modern Instant, Pitch Shifter, Glitch Shifter, Multi-Tap, Reverse, and No Echo — each with dedicated, adjustable controls — that greatly expand its sonic palette while driving maximum delay times to a staggering 16 minutes! Classic Tape mode makes light work of lathering echoes, loops, and grains with virtual tape saturation or wow and flutter, while an artifact-free Multi-Tap mode bestows 16 simultaneous delay lines upon vocals or guitar solos for deep doubling or stadium-sized echo effects. The ultra-smooth Reverse mode can create click-free, haunting echoes like no other, and, unlike using other delays, Modern Instant mode modulates delay time without producing any audible artifacts in terms of pitch — perfect for cleanly transitioning vocal effects from doubling to echo trails at the end of a phrase, for example. Use the dual-mono Pitch Shifter mode to create vocal harmonies, classic shimmer effects, metallic textures, and more; Glitch Shifter for funky pitch shifting; modulate the Sleep button in No Echo mode for crazy-sounding stutter and glitch effects… surely Sandman Pro does everything everyone wants a delay to do and a multitude of things that they never imagined a delay could do!

Damaged, squeaky clean, or anything in between, the range of tones and textures that Sandman Pro can comfortably achieve is almost limitless… let the diffusion network layer reverb with echoes and multi-tap delays when using high feedback levels; offset the left and right delay times with stereo delays and apply cross-channel feedback to create complicated polyrhythmic ping-pong echoes and phase-y-sounding Sleep Buffer loops; transform grains with backward envelopes by reversing the Sleep Buffer, or lock the length of the Sleep Buffer and adjust its Start and End points to change the grain’s pitch.

Put it this way: with delay times ranging from 5ms to a whopping 1,000 seconds (when used in conjunction with Sample Rate reduction); a Sleep Buffer that can be reversed, re-pitched, down-sampled, trashed with noise, modulated and shaped with built-in lowpass and highpass filters; Feedback, X-Feed, and Diffusion parameters to create thick delay tails or even reverbs; an M/S mode outputting mid and side signals on left and right channels, transforming it into a mid-side encoder; an M/S Width control adjusting the wet signal’s stereo field from mono to stereo to super-wide stereo; a Soft Clip function for providing analog-style saturation at its inputs and outputs; and a waveform display for visualising the effect of control tweaks in realtime, Sandman Pro is perfectly positioned to handle any delay duty… or take its users down a rabbit hole of unchartered sonic territories!

Truly The Swiss Army Knife of Delays, Unfiltered Audio set a benchmark with its Sandman Pro plugin flagship from the outset — one that has yet to be bettered… until now. Needless to say, the latest Sandman Pro update ups the delay ante again. As David Arnold might well testify: no shit, Sherlock!

The latest (v1.1) update of Sandman Pro is available for purchase — as an AAX Native-, AU-, VST2-, and VST3-supporting plugin for Mac OS X (10.8 through 10.12), Windows (7 through 10), and Pro Tools 10.3.10 (or higher) — exclusively from Plugin Alliance for $99.00 USD. (Note that owners of Sandman can upgrade to Sandman Pro for $49.00 USD while owners of Unfiltered Audio’s Instant Delay can upgrade for $29.00 USD.)
Note that the proprietary Plugin Alliance Installation Manager means users can select, download, and install only the products and formats needed for their system.
For more in-depth information, including several superb-sounding audio demos, please visit the dedicated Sandman Pro webpage here: https://www.plugin-alliance.com/en/products/unfiltered_audio_sandman_pro.html

About Plugin Alliance (www.plugin-alliance.com)
Based in Wilmington, DE, USA, with offices in Santa Cruz, CA, USA, Plugin Alliance is more than just a website; it is a new ‘Über-standard’, supporting all major plugin formats and uniting some of the best-known international audio companies under one virtual roof. It empowers world-renowned analogue hardware companies with a digital strategy and provides software developers with services that allow them to develop products with increasing quality and quantity. It does this by providing world-class marketing and distribution, as well as platform features like a state-of-the-art authorization system. The Alliance is more than just a group of partner companies; it is a rapidly growing community of artists, engineers, producers, and industry luminaries who have joined to share what they have learned.
 © 2017 Plugin Alliance LLC

Unfiltered Audio announces availability of Instant Delay plugin exclusively from Plugin Alliance

“Unfiltered Audio’s new Instant Delay plugin packs a lot of functionality into a small package. Driving the multi-mode filter creates some very interesting self-resonating textures. I’ve been using this on my drum buss, creating all sorts of unique and bizarre effects… lots of fun!”
- Richard Devine, electronic musician and sound designer (Apple, Nike, Sony Playstation, Touchstone Pictures), 2017.

Plugin Alliance, a new ‘Über-standard’ supporting all major plugin formats and uniting some of the best-known international audio companies under one virtual roof, is proud to announce availability of Instant Delay — an echo effects plugin powerhouse packing built-in filtering, saturation, and an insightfully intuitive modulation system (with a full-blown step sequencer and integration with ROLI’s revolutionary Lightpad Block control surface) into a compact, keenly-priced package providing a taste of the innovation and depth behind Plugin Alliance partner Unfiltered Audio’s powerful processing.

Anyone at all familiar with Unfiltered Audio would be quite correct in assuming that even a seemingly simple delay from this cutting-edge Californian company will witness them thinking differently. Drop an instance of Instant Delay into a standard DAW (Digital Audio Workstation) effects return and it will perform everyday delay duties as anticipated — anything from stereo echoes on a sultry vocal track to ambient delay tails on an undulating synth pad… put it this way: with Unfiltered Audio’s unique creative touches thrown into the mix, this truly is a must-have plugin, regardless of whether the (potential) purchaser already has a dozen different delay options onscreen! Why? Well, Unfiltered Audio always finds unconventional ways to make conventional products more interesting. Instant Delay does just that. By being a delay that does not simply stop at providing plain sailing flanging or ping-pong effects, extending instead into modular synthesizer-like territory with an inter-parameter patchable modulation system that positively promotes musical creativity, it can create elaborate echoes belying its (initially) deceptively simple interface.

Instant Delay packs a serious punch, pushing the boundaries of control and sonic possibilities further forward for all to see (and hear). Starting with its innovative Delay Time setting layout, Tempo Sync (for stereo channels Linked together or separately) is available alongside an option to offset one channel’s delay time relative to the other (which widens the stereo field for shorter offset times or makes mesmerizing syncopated rhythms with longer ones). On the face of it, a simple flange effect on a mono lead track with a short, Linked delay, for example, can quickly be made more exciting, ending up sounding completely different by simply up-mixing it to stereo with a small offset, increasing that offset, then cranking up the Feedback before finally dialing in some natural character with the Jitter control to introduce an element of randomness to the selected delay time — no inter-parameter patching (necessarily) needed!

 Watch the promotional trailer for Instant Delay

 Needless to say, though, Instant Delay’s unique patchable modulation system is a signature of all Unfiltered Audio plugins. Putting it into play is to want to (patch and) play! Intriguingly, it features several envelopes and modulators that link together with virtual patch chords to control almost all available parameters on the user interface. Users can choose from four different types of time- or tempo-based LFOs (Low Frequency Oscillators) and apply them to almost any plugin parameter — or even to other LFOs! Applying a speedy square wave to the Mix control adds a Leslie-type effect to the source signal, but by adding a slow LFO to the first LFO makes that Leslie effect only occur intermittently. If users want to apply rhythmic patterns to the plugin’s parameters rather than linear cycles, Instant Delay happily complies, courtesy of a full-featured step sequencer — similar to those commonly found on vintage synthesizers — that can be used instead of, or in conjunction with, the sine wave-based LFOs. Having patched to their musical heart’s content, users can simply sit back and let Instant Delay do its thing or get their hands dirty by using macro controls to make real-time adjustment to several parameters at once, making Instant Delay perfectly suited to live performance.

 watch the promotional trailer for Unfiltered Audio’s BLOCKS integration

Prepare to be amazed still further, for — in a first for delay plugins — Instant Delay’s modulation system seamlessly integrates with ROLI’s revolutionary Lightpad Block control surface, so different aspects of Instant Delay can be controlled using four different modes via simple patching from the ROLI modulator into various parameters or even other modulators. Whether working with virtual controls or the Lightpad’s smooth, glowing, pressure-responsive surface, Instant Delay is ready, willing, and able to throw down the gauntlet in any on-the-fly production or performance situation — in the studio, onstage, or on the go!
Other noteworthy Instant Delay features that help set it apart from the sound of the (delay) crowd include an analog-style multi-mode (Low-Pass, Hi-Pass, Band-Pass) filter with adjustable resonance (Rez) — applied to the Feedback loop; built-in soft clipper with Drive control — can generate subtle saturation, overdriven aggression, and anything in between; and an artifact-free delay buffer algorithm (that first made an appearance on Unfiltered Audio’s flagship Sandman Pro plugin) — lets users expand or contract the delay buffer in real time without pitch fluctuations or digital noise, so users can create beautiful time-stretching effects by modulating the Delay Time slowly from short to long or automate the rhythm on echoes without having to bypass Instant Delay between settings.

 Surely studio professionals (looking for a solid delay that puts a unique spin on echo processing by providing a unique feature set and innovative delay algorithm), EM producers/beatmakers (seeking a creative tool that not only creates fantastic delay tails, but also provides interesting and unique sonic sweeteners and sound effects), and ROLI BLOCK owners (wanting a performance-oriented delay plugin that seamlessly integrates with their Lightpad Block control surface) all need look no further than Instant Delay — an echo effects plugin powerhouse packing a lot of functionality into a compact, keenly-priced package providing a taste of the innovation and depth behind Plugin Alliance partner Unfiltered Audio’s powerful processing.

Instant Delay is available for purchase — as an AAX Native-, AU-, VST2-, and VST3-supporting plugin for Mac OS X (10.8 through 10.12), Windows (7 through 10), and Pro Tools 10.3.10 (or higher) — exclusively from Plugin Alliance for $49.00 USD. (Note that owners of Sandman Pro receive Instant Delay for free; Instant Delay is also free for ROLI BLOCKS and Seaboard users during the first six months after its release, during which time Plugin Alliance will also provide an upgrade path for all Instant Delay license holders to Sandman Pro for $29.00 USD.)
Note that the proprietary Plugin Alliance Installation Manager means users can select, download, and install only the products and formats needed for their system.

For more in-depth information, including several superb-sounding audio demos, please visit the dedicated Instant Delay webpage here: https://www.plugin-alliance.com/en/products/unfiltered_audio_instant_delay.html 

About Plugin Alliance (www.plugin-alliance.com)
Based in Wilmington, DE, USA, with offices in Santa Cruz, CA, USA, Plugin Alliance is more than just a website; it is a new ‘Über-standard’, supporting all major plugin formats and uniting some of the best-known international audio companies under one virtual roof. It empowers world-renowned analogue hardware companies with a digital strategy and provides software developers with services that allow them to develop products with increasing quality and quantity. It does this by providing world-class marketing and distribution, as well as platform features like a state-of-the-art authorization system. The Alliance is more than just a group of partner companies; it is a rapidly growing community of artists, engineers, producers, and industry luminaries who have joined to share what they have learned.

Antelope Audio announces Orion Studio HD HDX & USB 3.0 Interface debut during AES Berlin 2017

High-end professional audio equipment manufacturer Antelope Audio is proud to announce that its Orion Studio HD HDX & USB 3.0 Interface — the latest addition to its stellar professional audio interface lineup, and the third to offer full Pro Tools | HD and Native DAW (Digital Audio Workstation) compatibility via HDX and USB 3.0 connectivity offering zero-latency streaming and processing of 24-bit/192 kHz audio (alongside a full library of real-time FPGA effects, high-end clocking and conversion, and much more besides) — will be making its debut during a must-see showcase at AES Berlin 2017, the 142nd International Convention, May 20-22, Berlin, Germany.

Based upon the proven pedigree of Antelope Audio’s recently released Orion32 HD and Orion Studio Rev. 2017 (with which it shares its distinctive looks and a similar set of distinguishing features), Orion Studio HD is truly a shining star, destined to take its rightful place at an already acclaimed family table of top-tier, feature-packed professional audio interfaces. In keeping with Orion32 HD and its industry-shaking Goliath HD bigger brother, Orion Studio HD can operate simultaneously with Pro Tools | HD and Native DAW setups, and any analogue or digital input can arrive in Pro Tools | HD sample accurately in the timeline, thanks to Antelope Audio’s proprietary HDX Delay Compensation.

Cutting ahead of the competition courtesy of an exceptionally powerful, cutting-edge FPGA (Field-Programmable Gate Array) chip, Orion Studio HD has monumental modelling capabilities that only this Antelope Audio-pioneered technology can convey. Indeed, its users can currently access over 40 free real-time models of legendary EQs, compressors, guitar amps and cabs from the likes of BAE, Grove Hill, Gyraf Audio, and Lang. These not only behave and sound as authentic as the real world hardware that inspired them, but can be equally easily applied to recording, mixing, and mastering music. Moreover, though Native plug-ins are attractively convenient, FPGA freely offers a whole new level of performance and sonic excellence that plug-in solutions simply cannot accomplish alone. As such, Orion Studio HD users can take advantage of real hardware circuit and component modelling to track a vocalist with a headphone mix (including AuraVerb reverb), record a guitar part with proper feel and tone using those trailblazing amp and cab simulations, or capture a drum kit with up to 12 mics using that industry-best interface mic preamp technology — and all in real-time!

Reality bites, but not for Antelope Audio’s latest addition to its stellar professional audio interface lineup. HDX has steadily made inroads into becoming the preferred choice for high-end Pro Tools recording setups, so surely Orion Studio HD is perfectly placed to join this recording revolution, thanks to its HDX PORT. But beyond that it can connect to just about anything and everything. By boasting 12 superb-sounding Class-A — Hi-Z-, mic-, and line-compatible — preamps with phantom power (A1 through to A12); two pairs of mastering-grade monitor outputs (MONITOR A and MONITOR B); 16 analogue LINE OUTPUTS (on a pair of standard 25-pin D-SUB connectors); two reamp outputs (R1 and R2); two headphone outputs (H1 and H2); eight channels of digital I/O via ADAT with two further digital I/O channels on S/PDIF; and WC (Wordclock) I/O on BNC connectors (that can conveniently double as Loopsync I/O), Orion Studio HD can comfortably accommodate any DAW workflow and associated recording and production environment.

 Watch Antelope Audio’s informative introductory Orion Studio Rev. HD video

Exceptional analogue and digital connectivity notwithstanding, Orion Studio HD boasts best-in-class conversion, boosting its dynamic range to an unparalleled 124dB. Given that Antelope Audio pioneered the use of atomic clock generators in audio master clocks, it should come as little surprise to learn that its world-renowned 64-bit AFC (Acoustically Focused Clocking) technology for jitter management also lies at Orion Studio HD’s heart, instigating incomparable stability, sonic accuracy, and sonic detail. After all, according to Antelope Audio, best clock equals best sound, so obviously Orion Studio HD adheres admirably to this company mantra. Make no mistake: we’re talking high-end, professional studio language here… OCX HD- and Trinity-style clocking perfection, in other words!

Though that’s not all. As is the case with all Antelope Audio’s recently released professional audio interfaces, Orion Studio HD helpfully allows for fast functionality control via multiple computers with Windows- and macOS-compatible complimentary Control Panel dedicated desktop applications. Highlights here include controlling and using multiple Orion Studio HD units via the serial number selector; switching between two routing matrix view modes; and an all-new application for full session-saving… Session Presets really revolutionises the way studios record and mix with an ability to save, load, and share any routing, mixing, effects, and HDX Delay Compensation settings, so presets can be easily exchanged between studio facilities with (compatible) professional audio interfaces from Antelope Audio anywhere in the world! Want even greater freedom? Apps for both Android and iOS platforms allow Orion Studio HD users to adjust mic preamps and output volumes remotely from smartphones or tablets, so no need (necessarily) to leave the studio sweet spot while reaching for its carefully-crafted volume knob.

Topping things off, Orion Studio HD has no fans for silent operation, obliterating the need for expensive machine rooms or iso-racks. It can clearly be seen and heard, however, at AES Berlin 2017, the 142nd International Convention, May 20-22, Berlin, Germany, where Antelope Audio will be displaying and demoing Orion Studio HD for the first time on Booth 315. To witness this there is to want this heavenly hybrid audio interface — a picture-perfect professional fit for any Pro Tools | HD- and/or Native DAW-equipped studio!

For more in-depth information, please visit the dedicated Orion Studio HD webpage here: http://en.antelopeaudio.com/products/orion-studio-hd/
For more information about Antelope Audio’s FPGA effects, including a full library list, please visit the dedicated webpage here: http://antelopeaudio.com/hardware-based-fpga-effects/

About Antelope Audio (www.antelopeaudio.com)
Antelope Audio is a leading manufacturer of high-end professional audio equipment, pioneering the adoption of atomic clock generators in audio master clocks through utilising CEO Igor Levin’s 25-plus years of experience in digital audio. Antelope was the first company to design a 1U 32-channel audio interface and a multi-channel portable interface with 12 mic pres. The company’s customers include many GRAMMY® award-winning sound engineers and some of the most renowned recording, mastering, and post-production facilities around the globe.
© 2017 Antelope Audio

Audified announces 50% discount offer on STA Effects processing plug-in bundle and separately-available STA Preamp

Host application and audio effects developer Audified is proud to announce an attractive 50% discount offer on its critically-acclaimed STA Effects — an already affordable summing tube processing plug-in bundle based around its proprietary STA (Summing Tube Amplifier) technology from which it takes its name — and separately-available STA Preamp (also included in STA Effects).

The namesake STA (Summing Tube Amplifier) technology that the STA Effects bundle of summing tube processing plug-ins and STA Preamp plug-in both benefit from features two signal paths — one processed by modulation or spectral change, the other remaining unprocessed. Ultimately, those two signals are mixed via vacuum tube circuitry models, making more ordinary-sounding effects like flanging or phasing sound exceptionally extraordinary with warming audio attributes like no other!

On that very note, all six STA Effects plug-ins — including the self-explanatory STA Chorus, STA Delay, STA Enhancer, STA Flanger, STA Phaser, and STA Preamp — perform pleasingly to the ear, enabling a beautiful balance of flexibility and familiarity for discerning DAW (Digital Audio Workstation) users, thanks to several superb-sounding saturation characteristics available at a painless press of an associated virtual button: P (Presence — higher amount of mid-high frequencies to better cut through the mix), V (Vintage — smoother highs and more even harmonics), B (Brown — an almost flat frequency response with only light high-frequency rolloff and attractive higher harmonic punch), W (White — higher amount of higher frequencies with balanced ratio between the even and odd harmonics), and L (LoFi — less low and high frequencies).

 STA Effects can be seen and heard in an informative introductory video

Furthermore, all six share core controls — LEVEL IN/LEVEL OUT (calibrated to provide saturation at a level of -9 dBFR, corresponding to 0 dBVU on the meters), SATURATION (drives the modelled tube circuitry into saturation), METERS (switches between metering the input and output stages of the plug-in), and BYPASS (turns off the effects processing) — considerably simplifying STA Effects familiarisation for all.

Anyone seeking superb-sounding saturation characteristics without wishing to break the bank need not look any further — all the more so thanks to Audified’s attractive 50% discount offer on STA Effects and STA Preamp, priced to fly at $64.00 USD and $24.00 USD, respectively. Best be quick, though... they will soon be back to full (pocket-friendly) pricing!

All six STA Effects are available to purchase as a bundle — running as AAX, VST3, and VST2 plug-ins on Mac (OS X 10.9 - 10.12) and PC (Windows 7, 8, and 10) and AU on Mac — at a discounted price of $64.00 USD from May 15 through to May 25, 2017 (rising to $129.00 USD thereafter) from Audified’s online shop here: https://shop.audified.com/collections/products/products/sta-effects

STA Preamp can be bought separately at a discounted price of $24.00 USD from May 15 through to May 25, 2017 (rising to $49.00 USD thereafter) from Audified’s online shop here: https://shop.audified.com/collections/products/products/sta-preamp-2

STA Effects and STA Preamp are directly downloadable (alongside a demo version) from Audified here: http://services.audified.com/download/STA

About Audified (www.audified.com)
Audified is the premier brand of privately-owned Boskovice-based DISK Multimedia, s.r.o. in the Czech Republic, created to develop specialised audio applications, as well as handling the company’s high-end hardware product portfolio. Pioneering the development of audio applications for live (realtime) performance, as well as developing the first audio effects plug-ins for Apple’s Mac OS X, the company created some of the first plug-ins for Power|Core, TC Electronic’s hardware-accelerated DSP platform, prompting the Danish developer’s then-PR Manager Thomas Valter to comment, “Our two companies have been working closely together on various projects, and we are very satisfied with the products that have been a result of our cooperation.” Consequently, the company returned to its host application and audio effects developmental roots in 2007 by branding itself with the Audiffex appellation to resourcefully reflect that directional change. Credentials apart, Audified is not just a for-profit business, however; its parental company clearly cares about the future of audio software/hardware development, developing partnerships with both Janacek Academy of Music and Performing Arts (JAMU) in Brno, Czech Republic — realising a research project to bring modern audio engineering technologies to music education, and also Brno University of Technology, one of the Czech Republic’s leading research and teaching institutions — working with the Faculty of Electrical Engineering and Communication Technologies on scientific projects. Participating in organising entry exams and teaching at these highly-respected higher education establishments has helped establish the first specialised studies of audio engineering in the Czech Republic. In keeping with spreading the (audio engineering) word, Audified has helpfully seen fit to recently release a range of free plug-ins, available from here: http://shop.audified.com/collections/products/free#tags

© 2017 Audified

Antelope Audio announces availability of Orion Studio Rev. 2017 and accepts Goliath HD preorders

 

Having blown musical minds with their asynchronous April announcement at Musikmesse 2017 in Frankfurt, Germany, high-end professional audio equipment manufacturer Antelope Audio is proud to announce availability of Orion Studio Rev. 2017 — a timely revision of its innovative and popular professional audio interface, boasting brand-new A/D (analogue-to-digital) convertors to deliver an unparalleled 124dB dynamic range, while working with the company’s growing library of freely downloadable hardware-based FPGA (Field Programmable Array) effects to access hardware models of many desirable vintage units with real-time performance without relying on DSP or native processing — as well as accepting preorders on its industry-shaking Goliath HD flagship.

Externally, Orion Studio Rev. 2017 is immediately distinguishable from its popular predecessor, courtesy of an eye-catching carbon grey-coloured faceplate. But behind the mask internal innovations abound as it continues its predecessor’s penchant for extensive connectivity and best-in-class performance, including 12 superb-sounding, adaptable Accusonic preamps (comfortably accommodating complex multi-microphone setups) and 16 analogue outputs (providing an abundance of signal distribution capacity for outboard gear integration or summing). Dual mastering-grade monitor outputs maintain signal integrity all the way to the monitoring stage (also allowing switching between two pairs of speakers), while those all-new A/D conversion chips translate to capturing every sonic nuance of a performance as faithfully as possible. Pooled with Antelope Audio’s acclaimed 64-bit ATC (Acoustically Focused Clocking) jitter-management technology, Orion Studio Rev. 2017 is poised to implement industry-leading fidelity in almost any application.

Watch Antelope Audio’s informative introductory Orion Studio Rev. 2017 video

As a direct result of Antelope Audio adding several new compressors to its growing library of freely downloadable hardware-based FPGA effects, Orion Studio Rev. 2017 allows for simultaneous usage of up to 32 compressors — and all without sacrificing the 40 EQ instances on offer. These ultra-realistic effects are handled within the interface itself — ideal for tracking or mixing, so do not tax the host DAW (Digital Audio Workstation) system, but instead inflate sonic palettes somewhat considerably compared to the competition.

Controlled via a desktop application for Mac or PC, Antelope Audio’s advanced session preset and routing software serves up complete control of signal flow, permitting powerful effects chains, faithful monitor mixes, and easy integration of outboard hardware. Helpfully, the new Matrix View available to Orion Studio Rev. 2017 (and all of Antelope Audio’s Thunderbolt HDX-compatible audio interfaces) offers an accurate and alluring alternative to the company’s classic drag-and-drop interface alongside a new Session Presets application for full session saving functionality, allowing anyone already taking full advantage of their incredibly versatile routing, mixing, and hardware effects modelling capabilities to save, load, and share any routing, mixing, effects, mic pre gain levels, input and output trims, and even pan or resize settings.

Shipping now, and available to purchase through Antelope Audio’s growing global network of dealers with an MSRP of €2,595.00 EUR, Orion Studio Rev. 2017 punches well above its asking price.
Pushing ever onwards and upwards, Antelope Audio is also accepting preorders on Orion Studio Rev. 2017’s bigger brother, Goliath HD.

Weighing in at €6,995.00 EUR, this heavyweight professional audio interface is the culmination of years of research and development, and will soon serve as a powerhouse centrepiece for the modern recording studio with 64 channels of highest-quality audio I/O and an abundance of powerful upgrades, including new adaptable Accusonic preamps alongside a full suite of hardware-based FPGA effects and much more besides… best start saving to make some studio space for some seriously high-end professional audio equipment!

 Watch Antelope Audio’s informative introductory Goliath HD video

Shipping now, Orion Studio Rev. 2017 is available to purchase through Antelope Audio’s growing global network of dealers with an MSRP of €2,595.00 EUR. For more in-depth information, please visit the dedicated Orion Studio Rev. 2017 webpage here: http://en.antelopeaudio.com/products/orion-studio-rev-2017/

Coming soon, Goliath HD can be preordered from Antelope Audio for €6,995.00 EUR from here: http://en.antelopeaudio.com/products/goliath-hd/

For more information about Antelope Audio’s FPGA effects, including a full library list, please visit the dedicated webpage here: http://antelopeaudio.com/hardware-based-fpga-effects/

About Antelope Audio (www.antelopeaudio.com)
Antelope Audio is a leading manufacturer of high-end professional audio equipment, pioneering the adoption of atomic clock generators in audio master clocks through utilising CEO Igor Levin’s 25-plus years of experience in digital audio. Antelope was the first company to design a 1U 32-channel audio interface and a multi-channel portable interface with 12 mic pres. The company’s customers include many GRAMMY® award-winning sound engineers and some of the most renowned recording, mastering, and post-production facilities around the globe.
© 2017 Antelope Audio

Softube announces availability of Console 1 Mk II with UAD Powered Plug-Ins support

Having blown musical minds with its initial announcement at The NAMM Show 2017 in Anaheim, CA, high-end plug-in specialist Softube is proud to confirm Console 1 Mk II — a much more affordable version of its award-winning hardware/software mixing system, representing an enormous leap forward from its predecessor with support for selected UAD Powered Plug-ins from Universal Audio — is now globally available from any authorized Softube dealer.

Originally released in 2014, Softube Console 1 quickly earned a large and dedicated following, receiving prestigious awards and rave reviews in the pro audio press. With its tightly integrated hardware and software, and the included emulation of a Solid State Logic SL 4000 E console, Console 1 offered the best of the digital and analog worlds in a compact system.

 Significantly, Console 1 Mk II has made most frequent user requests reality, thanks to the significant software update with support for selected UAD Powered Plug-Ins from Universal Audio. 60 such plug-ins are already available for the system, all pre-mapped and easily selectable, so no MIDI mapping is necessary. Needless to say, the hardware itself has the same build quality as the original units, with some minor layout changes such as more visible LED markers.
Moreover, the success of Console 1 has made it possible to make efficiencies in production, resulting in an MSRP drop from $849 to $499. Now that it is globally available from any authorized dealer, there has never been a better time to go grab a Console 1 Mk II. Say hello and wave goodbye to mouse-mixing… forever!

Console 1 Mk II is globally available from any authorized dealer with an MSRP of $499. (The software update with the UAD Powered Plug-Ins compatibility can be downloaded for free from here: http://www.softube.com/download.php)

More in-depth information, including a must-see Console 1 Mk II video, is available here: http://softu.be/2jW2vBJ

About Softube (www.softube.com)
Founded by Oscar Öberg, and aptly dubbed “…the Swedish rock ’n’ roll scientists,” Softube has developed high-end software for the music market since 2003. Its own product roster ranges from modeled guitar amplifiers to professional audio mixing plug-ins and also includes the award-winning Console 1 hardware/software mixing system, as well as software instruments (Hearbeat and Modular). The company has received several awards — including, most recently, two TEC (Technical Excellence & Creativity) awards at the 32nd Annual event for the Marshall JMP 2203 and Marshall Bluesbreaker 1962 plug-ins (both developed by Softube exclusively for Universal Audio’s UAD/Apollo platform) — and award nominations in recognition of its innovative products. Productive partnerships have been formed with an assortment of pro audio companies held in high regard around the globe — including Abbey Road Studios, Mutronics, Solid State Logic, Summit Audio, Tonelux Designs, Tube-Tech, and Trident Audio Developments — to fashion faithful models of their analog hardware units. These third-party companies have happily lent their names and logotypes to the resulting plug-ins. Above and beyond its impressive namesake product lineup, Softube has also developed software products for other notable companies, such as Ableton, Fender, Cakewalk, Marshall Amplification, Native Instruments, Propellerheads, TC Electronic, and Universal Audio.
© 2017 Softube AB

Impact Soundworks SUPER AUDIO BOY: retro-sounding, future-facing free KONTAKT instrument in handheld homage

Audio software creator Impact Soundworks is proud to announce availability of SUPER AUDIO BOY — a free AAX-, AU-, and VST-compatible KONTAKT instrument/sample library that creatively captures the retro sounds of the legendary Nintendo Game Boy handheld for authentically (re)creating Chiptunes or fast-forwarding them to today and beyond with advanced layering, filtering, arpeggiation, and much more besides.

SUPER AUDIO BOY is Impact Soundworks’ free version of SUPER AUDIO CART — the most complete set of classic video game samples ever produced, but bringing powerful SAC synthesis, rhythm, effects, and modulations to bear upon the detailed sample set of the legendary Game Boy alone. And it doesn’t get much more classic than Game Boy, a handheld system with interchangeable cartridges that truly revolutionised the gaming industry upon its release in 1989. Developed and manufactured by Nintendo to tremendous success throughout its lifespan, it shifted an unprecedented 64-million units before Game Boy Color came calling in late 1998, thanks in no small part to highly-addictive games such as Tetris, their distinctive-sounding synthesized electronic music made within the technical limitations of Game Boy’s sound chip. Powered by a specialised 8-bit Sharp CPU sporting two pulse oscillators, a 4-bit PCM sample channel, and a noise generator, Game Boy remains the first choice of many musicians in the Chiptune scene, thanks to the LSDJ cartridge, allowing for direct access to that sound chip to create music.

 Watch Impact Soundworks Lead Developer Andrew Aversa’s SUPER AUDIO BOY video

Musically, SUPER AUDIO BOY allows access to those classic sounds and much more besides. As Andrew Aversa — Impact Soundworks Lead Developer — himself proudly points out: “It basically takes the Game Boy part — all the samples that come with the Game Boy — and complete engine of our original SUPER AUDIO CART library and makes it free. All of the features from SUPER AUDIO CART are here, too; the only difference is that this is just Game Boy… all deliciously lo-fi and bit-crushed, just the way we like it! Everything is sampled from an actual Game Boy; these are the waveforms with all the grit from the circuitry of the Game Boy, recorded and very carefully edited and looped. Now, of course, the wonderful thing about SUPER AUDIO CART and, in turn, this free instrument is that you can take those very simple waveforms, put them into the engine, and do all sorts of cool stuff — not just Game Boy sounds, but create modern sounds as well. The big difference between SUPER AUDIO BOY and other free Game Boy emulations out there is that you have all these additional sound design features. For example, we also have an X-Y pad, which can be assigned to LAYER BLEND, so we can blend between layers, and then the X and Y axes can be assigned in our modulation matrix. This is incredibly powerful stuff! You can create LFOs, envelopes; you can do random parameters — modulate CCs or ranges, like key ranges, velocity ranges… it’s just awesome!”

Indeed, it is! Free it may be, but feature-light it is not. Needless to say, SUPER AUDIO BOY comes complete with the same four independent sound sources (LAYER A through to LAYER D) as its bigger brother, together with an integrated sound source browser; over a dozen filter models; poly arpeggiator, gate, and sequencer; 64-slot Mod (modulation) Matrix; plus five FX racks. Resumes Andrew Aversa: “These effects can be turned on and off; you can modulate these using the modulation matrix and hook them up to different things. We’ve got the SNES VERB — even though this is not a Super Nintendo — and convolution REVERB, and four additional effects racks — one per layer. You will not hear an actual Game Boy doing that, but that is the power of SUPER AUDIO BOY — all these advanced sound design things that you can use if you want to. Of course, because we’ve got arpeggiators and sequencers onboard, you can create drum loops just by holding a note.”

Notably, SUPER AUDIO BOY works with a wide range of controllers — keyboard or otherwise, since users can map almost any parameter or control to any physical CC. Clearly, then, this is a very powerful software tool for authentically (re)creating Chiptunes from a glorious (Game Boy) bygone era or dragging distinctive retro sounds — creatively kicking and screaming — back to the future… for free!

SUPER AUDIO BOY is available for free from Impact Soundworks here: http://impactsoundworks.com/product/super-audio-boy/#purchase

Note that SUPER AUDIO BOY requires the full version of Native Instruments KONTAKT (5.5.2 or higher).
For more in-depth information, including several superb-sounding audio demos, please visit the dedicated SUPER AUDIO BOY webpage here: http://impactsoundworks.com/product/super-audio-boy/

About Impact Soundworks (www.impactsoundworks.com)
Impact Soundworks creates audio software designed with composers in mind: sample libraries, virtual instruments, and plug-ins. As passionate about creating music tools as its customers are about making music, the company was founded in 2008 by composers Andrew Aversa and Will Roget, II at a time when there were several large virtual instrument companies already around, but few developers creating affordable, flexible, and focused libraries featuring more unusual and unique sounds. Shrewdly, the dynamic duo noticed much in the way of in-depth orchestral offerings, but more unusual instruments were not being sampled with much detail at all. As such, the company’s first two releases were Impact Steel, a collection of found metal objects played as percussion, and Sitar Nation, a set of instruments from North India. It has since been collectively working hard to address the needs of modern composers, successfully striking the balance between depth and ease of use. Ultimately, Impact Soundworks is proud to call tens of thousands of musicians around the world its customers, intelligently investing time to study suggestions and review requests. After all, that is how a number of its best-loved libraries started… from the smallest seed!